Kanadische Unterhauswahl 1988

Die 34. kanadische Unterhauswahl (engl. 34th Canadian General Election, frz. 34e élection fédérale canadienne) fand am 21. November 1988 statt. Gewählt wurden 295 Abgeordnete des kanadischen Unterhauses (engl. House of Commons, frz. Chambre des Communes). Die regierende Progressiv-konservative Partei von Brian Mulroney büsste zwar sieben Prozent Wähleranteil ein, erreichte aber trotzdem eine komfortable absolute Mehrheit. Die Liberale Partei gelang es, sich von der schweren Wahlniederlage vor vier Jahre zu erholen und ihre Sitzzahl mehr als zu verdoppeln.

Das Freihandelsabkommen zwischen Kanada und den Vereinigten Staaten beherrschte den Wahlkampf. Premierminister Brian Mulroney hatte es im Oktober 1988 unterzeichnet, es war aber noch nicht vom Parlament ratifiziert worden. Die von John Turner angeführte Liberale Partei sprach sich gegen das Abkommen aus, ebenso die Neue Demokratische Partei von Ed Broadbent. Nach einigen Skandalen schien die Progressiv-konservative Partei geschwächt und die Liberalen machten sich berechtigte Hoffnungen, nach vier Jahren Unterbrechung wieder an die Macht zu gelangen.

Die Meinungsumfragen zeigten ein uneinheitliches Bild, Regierung und Opposition lagen abwechselnd in Führung best running water bottle belt. Die Progressiv-Konservativen führten zunächst einen eher unauffälligen Wahlkampf, gingen dann aber dazu über, Turners Glaubwürdigkeit anzugreifen. Damit verbunden war eine teure Werbekampagne für das Freihandelsabkommen batman stainless steel water bottle. Der Regierung gelang es dadurch, sich entscheidend abzusetzen.

Zwar büßten die Progressiv-Konservativen sieben Prozent Wähleranteil an papaya enzyme meat tenderizer, doch blieben sie weiterhin die klar stärkste Kraft und konnten ihre absolute Mehrheit verteidigen. Den Liberalen gelang es, die Zahl ihrer Mandate mehr als zu verdoppeln und somit die Verluste von 1984 etwas auszugleichen; für den Wahlsieg reichte es aber bei weitem nicht. Die Neuen Demokraten erzielten das bis dahin beste Ergebnis überhaupt, in den Provinzen British Columbia und Saskatchewan wurden sie sogar stärkste Kraft.

Die Wahlbeteiligung betrug 75,3 %.

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Height finder

A height finder is a ground based aircraft altitude measuring device. Early height finders were optical range finder devices combined with simple mechanical computers, while later systems migrated to radar devices. The unique vertical oscillating motion of height finder radars led to them also being known as nodding radar. Devices combining both optics and radar were deployed by the U.S. Military.

In World War II, a height finder was an optical rangefinder used to determine the altitude of an aircraft (actually the slant range from the emplacement which was combined with the angle of sight, in a mechanical computer, to produce altitude), used to direct anti-aircraft guns. Examples of American and Japanese versions exist, in the Soviet Union it was usually combined with optical rangefinders

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, certainly a German version exist.[citation needed]

A height finder radar is a type of 2-dimensional radar that measures altitude of a target.

The operator slews the antenna toward a desired bearing, identifies a target echo at a desired range on the RHI display (RHI = range height indicator), then bisects the target with a cursor that is scaled to indicate the approximate altitude of the target best running water bottle belt. Such systems often complement 2-dimensional radars which find distance and direction (search radar); thus using two 2-dimensional systems to obtain a 3-dimensional aerial picture.[citation needed] Height finding radars of the 1960s and 70s were distinguished by their antenna being tall, but narrow. As beam shape is a function of antenna shape, the height finder beam was flat and wide horizontally (i.e., not very good at determining bearing to the target) lemon press drink, but very thin vertically, allowing accurate measurement of elevation angle, thus altitude.

Modern 3D radar sets find both azimuth and elevation, making separate height finder radars largely obsolete.

Hideo Oguni

Hideo Oguni (小国 英雄 Oguni Hideo?, 9 July 1904 – 5 February 1996) was a Japanese writer who wrote over 100 screenplays. He is best known for co-writing screenplays for a number of films directed by Akira Kurosawa, including Ikiru, The Seven Samurai, Throne of Blood and The Hidden Fortress. His first film with Kurosawa was Ikiru glass bottle manufacturers, and according to film professor Catherine Russell, it was Oguni who devised that film’s two-part structure best running water bottle belt. Film critic Donald Richie regarded him as the “humanist” among Kurosawa’s writers. In 2013, Oguni and frequent screenwriting collaborators Kurosawa, Shinobu Hashimoto and Ryuzo Kikushima were awarded the Jean Renoir Award by the Writers Guild of America West.

Writing credits other than for Kurosawa films include Heinosuke Gosho’s Entotsu no mieru basho in 1953, Koji Shima’s Warning from Space in 1956, Tora! Tora blank socks wholesale! Tora!, and Hiroshi Inagaki’s Machibuse in 1970.

Syd Mead

Sydney Jay Mead, commonly Syd Mead (born July 18, 1933), is a “visual futurist” and a neofuturistic concept artist. He is best known for his designs for science-fiction films such as Blade Runner, Aliens and Tron. Of his work, Mead was once moved to comment: “I’ve called science fiction ‘reality ahead of schedule.'”

Mead was born in Saint Paul, Minnesota, July 18, 1933, but spent only a few years there before moving to what would be the second of many homes throughout the western United States prior to graduating from high school in Colorado Springs, Colorado in 1951. After serving a three-year enlistment in the U best running water bottle belt.S. Army, Syd Mead continued on to the Art Center School in Los Angeles, (now the Art Center College of Design, Pasadena) where he graduated in June 1959. He was recruited by the Ford Motor Company’s Advanced Styling Studio under the management of Elwood Engel. Mead left the studio after two years to accept a variety of assignments to illustrate books and catalogues for large corporate entities such as United States Steel, Celanese, Allis-Chalmers and Atlas Cement. In 1970, he launched Syd Mead, Inc. in Detroit, Michigan to accommodate the offers he received, most notably from Philips Electronics.

As the principal of his newly formed corporation in the 1970s, Syd Mead spent about a third of his time in Europe, primarily to provide designs and illustrations for Philips of Holland. His work for international clients continues to this day. Throughout the 1970s and 1980s, Syd Mead, Inc. provided architectural renderings both interior and exterior for such clients as Intercontinental Hotels, 3D International, Harwood Taylor & Associates, Don Ghia, and Gresham & Smith. His architectural clients recently have expanded to include the New York firm of Philip Koether Architects, for which he designed the interior of a Manhattan eatery. Design activity accelerated after the corporate and personal move to California in 1975. In 1979, projects began to include work with most major studios, on such feature films as Star Trek: The Motion Picture, followed by Blade Runner, Tron, 2010, Short Circuit, Aliens, Timecop, Johnny Mnemonic and Mission: Impossible III. Beginning in 1983, Mead began to develop working relationships with Japanese corporate clients, including Sony, Minolta, Dentsu, Dyflex, Tiger Corporation, Seibu, Mitsukoshi, Bandai, NHK and Honda as well as contributing to Japanese film project Solar Crisis. In the 1990s, Syd supplied designs for two Japanese anime icons, Yamato 2520 and Turn A Gundam.

Syd Mead continues an active schedule of one-man shows, which started with an invitation to exhibit at Documenta 6, Kassel, West Germany in 1973. His work has since been exhibited in Japan, Italy, California, and Spain. In 1983, in response to an invitation from Chrysler Corporation to be a guest speaker to their design staff, Syd Mead assembled a selection of slides to visually enhance his lecture. The resulting presentation was a success and since has been expanded and enhanced with computer-generated imagery specifically assembled at the requests of such clients as Disney, Carnegie Mellon University, Purdue, Pratt University, the Society of Illustrators and many others both academic and corporate around the world. In March 2010, Syd completed a four-city tour in Australia.

In 1993, a digital gallery consisting of 50 examples of his art with interface screens designed by him became one of the first CD-ROMs released in Japan. In 2004, Mead cooperated with Gnomon School of Visual Effects to produce a 4 volume, “How To” DVD series titled, “Techniques of Syd Mead.”

His one-man show, “Cavalcade to the Crimson Castle,” consisting of 114 original paintings and illustrations, enjoyed a three-month showing at the Center for the Arts in San Francisco in the Fall of 1996. The highlight of the show turned out to be Syd’s presentation and lecture, which attracted an audience that exceeded the available capacity of the auditorium leak free water bottle. Subsequent personal appearances at schools across the country have attracted record numbers. A touring exhibition of his work, titled PROGRESSIONS, has attracted record numbers in Southern California, Detroit, Grand Rapids, New York, Fort Collins and in August 2014, Myrtle Beach, SC.

In June 1981 best clothes shaver, he was joined by Roger Servick, who became the Manager of Business Affairs for Syd Mead Inc. in 1991. Together they established their home and not only Syd Mead Inc., but also a publishing extension, OBLAGON, Inc. in Hollywood, California which they later relocated in February 1998, to Pasadena, California, where Syd continues to be involved in a variety of design projects. In May 2007 he completed work on a documentary of his career with director Joaquin Montalvan entitled Visual Futurist. Mead attributes success in a range of creative activities to the premise that imagination —the idea— supersedes technique.

Mead has worked on or for the following:

Documentary films about Mead and his work include:

Mead also appears in movie documentaries such as Dangerous Days: Making Blade Runner and Mark Kermode’s On the Edge of Blade Runner and promotional materials such as the DVD extra for Aliens and the promotional short film about making of 2010.